sábado, 29 de septiembre de 2012

Marseille between past and future

 
    
   I expect my twins to choose two places out of all the ones they like and regard as emblematic of their relationship with the city. By all means not an easy task. I thought it was fair enough that i should reciprocate. Here we go.

     I was born, I grew up and lived in Marseille until I was 18. My family settled there a long time ago. And I sometimes find it difficult to identify which memories are mine and mine only and which were passed on to me by my brother, my parents or grand parents… It’s like my being a «Marseillaise» is not only a personal construct but was, for a good part, inherited.
     When I walk the streets of what is known as «le quartier des antiquaires» (a part of the city with many antics shops), nearby the Prefecture, it feels as if i was transported back in time, reliving part of my mother’s family history. There, rue Bonnefoy, my grandfather’s grandfather used to be a frame maker, the father of my grandfather sold antics, as did my grandmother, mother and uncle. At home, antics were everywhere and i was raised among them. I do like antics, still, but my grandfather would probably be puzzled by my taste for contemporary art. I sometimes wonder, would he laugh, frown, would he too take interest new art forms…

     Moving on to la Joliette, the harbor district and yet another travel in time, back to my father’s past this time. His mother, my grandmother, spent her childhood there. She used to live place de la Joliette. She remembers fondly the hustle and bustle of dockers loading, unloading ships, the lively atmosphere of night bars were they used to gather after their hard working day. At night, she could feel the vibrations of buses and streetcars driving by her apartment, at times making it really difficult for her to sleep. I never got a chance to experience the tales my grandmother told me. By the time i grew up the area had sinked into recession offering the bleak sight of deserted warehouses, closed down shops and empty streets. Today it’s coming back to life, undergoing a massive urban renewal facelift. A very ambitious one, bound to alter not only the whole harbor sea front but the whole city. Euroméditerranée(1) is the name Marseille has given its future : museums, a brand new business centre, condominiums, a skyline in the making… I fear this transformation of the city could destroy its soul. Already the most vulnerable part of the population has been pushed away, outwards the city centre, in the process. I fear all will be left soon will be cold and empty spaces where people would feel out of place. I can’t help but wonder whether it really is what the inhabitants of Marseille need and hope for?

     Yet, I can’t either help being thrilled. It feels as if the city was awaking, shaking off its inertia. Daring architectural projects will give birth to a brand new skyline, much like Sidney’s or even Shanghaï’s. A new face for the oldest european city. It won’t feel the same of course, but it will probably be an even more eye-catching sight than it already is. I’m, for instance, eagerly looking forward to seeing Kengo Kuma’s design for the Contemporary Art Centre coming to existence.

     Marseille is changing, its metamorphosis speeding up in the past 5 years, at the same time its identity remains. Pretty much like a person it needs to both have roots firmly tying it to its past and young shoots projecting it towards its future. Everytime i come back to Marseille, i feel that same need : gather strength in the familiar, find energy in the stream of life feeding the changes…

jueves, 27 de septiembre de 2012

lunes, 24 de septiembre de 2012

Flying houses

Lauren Chehere argazkilari frantziarrak, "Flying house" izeneko seriea argitaratu zuen, bertan hiriaren inguruko realismoa beste maila batera eramanez. Hiriki etxe eta eraikin arruntak, lurretik ateratzen dira eta airean flotatzen dute, perspektiba ezberdin bat eskainiz.

 
Flying house hauek, beste bizitzeko era bat islatzen dute, bidaiaren inguruko metafora. Pertsona eta etxe bakoitzak, bere bizitzeko era dauka, eta batzuk luxuzko bidai bat egiten duten bitartean, beste batzuk negarrez dagoen haur bat edo estul konpultsiboa daukan auzokide bat daukate ondoan, erretzen ari den etxe baten bizi bazina bezala sentiaraziz. 
 
 
 
 
Argazki serie hau argitaratzeko, Pariseko Belleville eta Ménilmontant auzoetako etxe abandonatuetako arkitekturan oinarritu zen. Arkitektura eta fantasia honetaz gain, argazki serieak, etxe hegalari batean izan litzakegun bizitzan pentsatzera eramaten gaitu "la experiencia transitoria de poder volar con una casa". 
Argazki hauek, Pariseko Galerie Paris-Beijing galerian egongo dira 2012 ko urriaren 25etik, abenduaren 4ra arte. 
   


El fotógrafo Laurent Chehere, en su serie Flying Houses, eleva a la arquitectura
hasta convertirla en un objeto volante no identificado. Liberadas, las casas flotan
en el espacio como globos inflados con helio escapando de su sujeción al suelo. El retrato hiperrealista de un suceso surrealista, abre la brecha que separa lo posible de lo real.
 


 
Informazio gehiago:

viernes, 21 de septiembre de 2012

The trees made the story

"Helduak, lorategi zaindu eta ordenatu edo paisaia zaindu eta txukun bat nahiago duten bitartean, umeek, toki basatiak nahiago dituzte."
 
"In terms of natural surrounds, adultos prefer a carefully tended lawn and a tidy, uncluttered layout, while children enjoy a wilder enviroment (...)"_ URBAN PLAYGROUND SPACES (MONSA)

Hau ikusita "Erect architecture" bulegoko arkitektoak umeen partaidetzarekin hurrengo proiektuaren diseinua garatu zuten. Lehen zegoen paisaia GUZTIZ mantenduz, proiektua paisaiara moldatzen da era naturalenean. "The trees made the story."




Killburn Grange (2010)_ERECT ARCHITECTURE (London,GR)

"What's adventure? The project started by asking the children to state their idea of adventure on signs. Fixed permantently on site in the park the signs announced the project to the wilder community and tickled people´s imagination. This project was about creating varied very special moments, which encourage inhabitation. The site has a wealth of very different mature trees - it is the reminder of a Victorian Arboretum. The trees made the story. The overarching theme is playing in and around trees. The buildind is a continuation of and addition to the landscape - in its materiality, spaces, views and function. The undulatin biodiversity roof reads as an extension of the landscape, in form and materiality. The roof caresses and responds to the adjacent trees, dipping under the, feeding them its water."

jueves, 20 de septiembre de 2012

Bertan behera utzitako etxeekiko mirespena

Ez daukat azalpenik. Ez dut bilatzen ezta ere. Ez naiz inoiz saiatu okupatuta dagoen etxe baten bizitza imaginatzen. Bertako jendearen intimitatea horren gainetik dago. Bertan bizitzen den pertsonen etxeak dira. Baina, etxe abandonatuekin kontran, ezin dezaket saihestu. Etxe abandonatuetan bizitako jendearen bizitza berreraikitzea. Bertan egondako zaratak, usainak, ehunak, jostailuak, altzariak,… Bidaiatzeko eta amets egiteko beste modu bat, eta zorionez, ez dio inori kalte egiten.



miércoles, 19 de septiembre de 2012

Ur gaineko arkitekturarako lehenengo ideiak

Marsellako lehen proiektu honetarako sei lan-talde elkartu gara. Gure helburua Marsellak historian zehar izan duen itsasoarekiko lotura erakustea izango da. Horretarako hiriarentzat esanguratsuak izan diren gaiak jorratuko ditugu, itsasotik ibilbide bat sortuz. Arkitektura flotante batek, sei gai hauek itsasoarekin duten harremana azpimarratuko du.



Aukeratutako gaiak honakoak dira;
             1 - Ontziralekua eta informazio puntua
             2 - Hiriaren historia
             3 - Marsella eta itsasoaren arteko lotura
             4 - Errepresentazio kulturalak
             5 - Marsellako gastronomia
             6 - Marsellaren etorkizuna, Marsella 2013 Hiri Kulturala.
 
Plataforma bakoitza hiriko gune desberdin baten kokatuta egongo da. Lehenengo plataformatik (informazio puntutik) irtengo den itsasontzi batek plataforma guztietara eramango gaitu,  itsas-ibilbide bat sortuz.



Banatuta egon arren, erakusketa amankomun bat eratzeko aukera ematen dute.
 



Proektuari bateratasuna emateko, baldintza batzuk ezarri ditugu denontzako;
             - Oinarriaren forma eta neurria denontzako berdina.
             - Elkarren artean lotzeko sistema berdina.
             - Plataformaren egitura eta material komunak.



Dena den, bakarkako proiektua malguagoa izan dadin, ez da eraikinetan formaren baldintzarik ezarri.
Marsella 2013 hiri kulturalerako proposatutako ibilbidea barnealdetik proposatzen dela ikusita, gure proiektu honekin, Marsellak historian zehar itsasoarekin izan duen erlazio estua azpimarratu nahi izan da, bigarren ibilbide bat proposatuz; itsas ibilbidea.
Proiektua 2013-ko hiri kulturalerako pentsatuta dagoenez, behin hau pasata, proiektua beste toki batera eramateko aukera eskaintzen da, hondakinik gabe, 2013ko hiri kulturalean itsas-esposaketa honen oroimena  bakarrik utziz.